"The Author, it must be remembered, writes from his own standpoint!"
My personal "Interpretive" Lens!
Do You Have A Question?
If you have a question not covered in this blog feel free to send it to me at my email address, i.e. "snow" dot here "covered" dot here "bamboo" AT symbol here "gmail" dot here "com"
"Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider..." - Francis Bacon
Warning, Caveat and Note: The postings on this blog are my interpretation of readings, studies and experiences therefore errors and omissions are mine and mine alone. The content surrounding the extracts of books, see bibliography on this blog site, are also mine and mine alone therefore errors and omissions are also mine and mine alone and therefore why I highly recommended one read, study, research and fact find the material for clarity. My effort here is self-clarity toward a fuller understanding of the subject matter. See the bibliography for information on the books.
Note: I will endevor to provide a bibliography and italicize any direct quotes from the materials I use for this blog. If there are mistakes, errors, and/or omissions, I take full responsibility for them as they are mine and mine alone. If you find any mistakes, errors, and/or omissions please comment and let me know along with the correct information and/or sources.
Regarding the Art of tameshiwari: Is there some secret to breaking?ta
There are some criteria used to select materials as well as set them up for the actual break. Where most breaks go wrong is incorrectly setting them up and ego and pride resulting in a karate-ka attempting to do something they never practiced or trained for in tameshiwari.
A quick example is with wood. If it is of a certain material and if the grain is not set correctly you can hit it all day long with a sledge hammer and it will never break.
Don't misunderstand, breaking is an art form from my view and has a purpose other than competitive breaking systems. Even with all the stuff you have to account for to make it work it still takes skill, training and spirit to do good breaking.
There are secrets, if you will allow that word, to performing good breaks. One more, there is a reason those two-by-two boards are so long and are broken somewhere midway between the tori's hold on them and the striking area on the wood and the leg or stomach.
|Quality of Post:|